The Mandalorian and Grogu

 Welcome back to the Galaxy …

Years ago, when I looked at The Rise of Skywalker, I mused that Star Wars could use a few years of dormancy. Small Screen aside, the franchise is finally back with The Mandalorian and Grogu, the feature debut of the stars of Disney Plus's The Mandalorian. With showrunner Jon Favreau at the helm, this might be the way. 

Maybe.

Din Djarin, The Mandalorian (Pedro Pascal when he’s unmasked; Brendan Wayne or Lateef Crowder when he isn’t, though it’s still Pascal talking), is a bounty hunter cut from the same cloth as franchise favorite Boba Fett. Grogu is a force-wielding moppet from the same species as another franchise favorite, Yoda. Together, they fight the remnants of the Galactic Empire. After a hunt in the cold open, their employer, Col. Ward (Sigourney Weaver) sends him on another. 

Their quarry, this time, is Commander Janu Coin (Jonny Coyne; yes, really). Jabba the Hutt’s twin siblings (whose actors are probably a national secret) know where he is, but they’ll only talk if “Mando” retrieves their nephew, Rotta the Hutt (Jeremy Allen White). Our heroes find Rotta as a gladiator on the planet Shakari, where they conveniently find Coin as Rotta’s handler. It also turns out that the twins want Rotta dead, and they’ve hired the bounty hunter Embo to make it so. Our heroes will have to get out of this somehow, but you know they will.

Obviously, its biggest draws are right there in the title. Mando provides most of the cool action, particularly with his fight with - and even within - Imperial Walkers in the opening. But since Mando is mostly helmeted, Grogu is supposed to be the emotional anchor. I mean, when Mando is incapacitated by the twins’ Dragon-Snake, we’re fully invested in Grogu as he searches for a cure. Despite some emotional suspense, it’s obvious from a mile away that Mando will pull through. Nevertheless, it’s still fun watching the little guy do his thing. It’s also nice watching him and Mando’s surrogate familial relationship play out; it's even funnier considering that Grogu is actually older than Mando!

Let's see who else is in their Galaxy. There's Rotta, who's so buff that he looks like a photorealistic Battletoad. That aside, he's an upstanding guy who gets to showcase his fighting skills a few times. None other than Martin Scorsese also features as Hugo Durant, who helps lead Mando to Rotta. He's so entertaining that I'm kind of disappointed he wasn't in the film a whole lot. Stephen Mckinley Henderson, as the aquatic fisherman Gatori, also makes the most of his limited screentime. Commander Coin is surprisingly funny, while the Twins are perfectly detestable. Weaver is mostly fine as Ward, but just her showing up flying an X-Wing in the climax is just cool. Keep in mind, some of these "new" characters are actually franchise veterans making their live-action/movie debuts. Fortunately, you won't be lost if you haven't kept up with everything ever.

What else can you expect from behind the scenes? As with the show, Grogu was brought to life with some spectacular puppeteering work. It's practically impossible to tell how much of him was digitally augmented, if at all. The obviously digital creatures, meanwhile, are still an interesting bunch. We get to see Rotta battle a bunch in Coin's colosseum, before they turn on the audience (long story). The opening battle is spectacular, even interesting as the Walkers' march along a mountain might make one think of Hannibal's. All the action afterwards is still up to that old Star Wars standard, though it's also a bit overlong. Ludwig Goransson returns from the show to score the film, even giving us a few renditions of the show's opening theme. His work is just as good as John Williams' standards, though I wouldn't bet on Oscar number four here.

The Mandalorian and Grogu begin and end their film the same characters. The same holds true of their Galaxy. This movie is just an adventure for them, and not a narrative progression like the Downton Abbey trilogy. It's also 113-minutes long, which is way too long for a story this thin. But if you're just here for some Star Wars action, as well as its titular characters, you'll do fine. I did fine; how about you?

The Blue Trail

 The Blue Trail, one of five films edged out by The Secret Agent as Brazil’s Oscar entry, is now readily available stateside. Due to Oscar rules, it won’t be in contention for anything next year. Let’s see if you should check it out anyway.

In the not-too-distant future, the Brazilian government mandates that the elderly be sent to elsewhere for the sake of the economy. Nobody ever hears from them again, which is a reasonable cause for concern for 77-year-old Tereza (Denise Weinberg). She's now at the new age limit, which used to be eighty, so she's forced into retirement, placed under the care of her daughter Joanna (Clarissa Pinheiro), and bestowed some patronizing honors. It's only a matter of time before she's bused off to "The Colony."

In the meantime, Tereza decides to go on her first plane ride. But since Joanna won’t let her fly commercial, she resorts to flying illegal. She pays a boat captain, Cadu (Rodrigo Santoro), to take her up the Amazon to an airport in Itacoatiara. Ludemir (Adanillo), her likeliest pilot, is grounded by mechanical and money problems. She finds better luck back on the water with Roberta (Miriam Socorrás), a digital-Bible seller who bought her freedom. She finds temporary freedom with the hallucinogenic mucus of a “blue drool snail.” But there’s still the threat of being sent elsewhere …

Which isn't exactly as prevalent as it sounds. 

One wouldn’t expect a dystopian film to be leisurely, but this one is. There’s no tangible adversary pursuing Tereza, who's mostly impeded instead by obnoxious rules lawyers. While she gets caught midway through, it’s literally clear sailing once she escapes. If the colony has a terrible secret, like in Logan’s Run, we’re never made aware of it. Still, ominous graffiti - one of which reads “Give Me Back My Grandma!” - hints at nothing good, but it is good world-building. But director Gabriel Mascaro is more concerned with Tereza’s personal journey than a broader scope.

And what can you expect out of this journey? For starters, cinematographer Guillermo Garza's work is a delightfully scenic trip across the Amazon. Its most striking images, however, center around its most bizarre turn - a fish fight. Yes, fish fight, which people like Tereza gamble on. Bizarre as it is, you'll be happy with her when she wins big. Further along, we have Memo Guerra's eerily serene score, as well as a quirky ensemble assembled by The Secret Agent's own Gabriel Domingues. There's Tereza, of course, who's quite compelling as she navigates her absurd society. She's pretty good when paired with Cadu, but she's glorious when paired with Roberta. Cadu makes the most of his screentime, but Roberta should have been in the film a bit more. 

I think it's worth going on The Blue Trail even once. Sure, it's only 86-minutes long, which means some concepts and characters aren't fully utilized. But Tereza's personal journey makes it an interesting one. If anything, it's not your typical dystopian film. I think I said enough. 

The Sheep Detectives

Hey, Daisy Mae, you might want to take this one!

Ah, The Sheep Detectives! Don't mind if I do.

Over twenty years since they debuted, the ovine sleuths of Leonie Swann’s novel Glennkill (aka Three Bags Full) are now movie stars in The Sheep Detectives. That's the kind of title that tells ewe what it's all about. Let's see what else it is.

So, we have George Hardy (Hugh Jackman), a shepherd just outside of Denbrook, England. He doesn’t care for most of the townsfolk, but he’s all for his flock. Each night, he reads them a mystery novel, even if they can’t understand a word he’s saying. But amongst themselves, the flock have a lot to say. Lily (Julia Louis-Dreyfus), in particular, is usually on the ball about the killers in each story. But death is a foreign concept for them until the morning they find George dead - actually dead.

As the town's only cop, the inept Tim Derry (Nicholas Braun), gets on the case, Lily leads the flock in their own investigation. Her co-investigators include Mopple (Chris O'Dowd), who remembers everything; Sebastian (Bryan Cranston), the loner; twins Reggie & Ronnie (both Brett Goldstein); Cloud (Regina Hall); and Sir Ritchfield (Patrick Stewart). They've got a few suspects, including Caleb (Tosin Cole); Ham (Conleth Hill) the Butcher; Elliot (Nicholas Galitzine), a visiting reporter; and Rebecca (Molly Gordon), George's previously unknown daughter. Can they help steer Officer Tim to the right one?

One can easily dismiss it as silly fluff - which it is - but they’d be surprised at how poignant it gets. George’s death is an existential shock for Lily, which she can't blank out like most of her flock (and a more cavalier film) could. You'll definitely feel for her as she confronts the truth of the world (which involves another sinister secret). One sheep's death flags are raised from a mile away, but the actual moment still hurts. Still, it gets philosophical and funny when Sebastian talks about God, or when the inquisitive sheep Zora (Bella Ramsey) questions the meaning of life. You'll have to see those moments for yourself.

Its poignancy wouldn't work if we didn't like George. Thankfully, Jackman makes him quite enjoyable in life, and even beyond that (including in Lily's dreams). As for his fellow humans, Officer Tim going from loser to gumshoe is quite compelling, while Rebecca is pretty likable. Denbrook's residents, which also include innkeeper Beth (Hong Chau) and Rev. Hillcoate (Kobna Holdbrook-Smith), are a delightfully quirky bunch. Emma Thompson walks over the scenery as George's lawyer, Lydia Harbottle. As for the killer, they get so much screentime I wonder if Msgr. Knox would cry foul. But I digress.

Of course, the real stars of the show are the flock, and what's more to say? They all have great personalities and voicework behind them. You'd be surprised at how much you can learn about sheep, particularly the differences between spring and winter lambs. How is that relevant? One winter lamb (Tommy Birchall) is ostracized by the flock until he helps save the day. Anyway, this lamb and the rest of the flock were visualized by some very convincing CGI. Not a single sheep is out of place, and it's hard to tell if shepherd Kyle Balda got some real sheep too. Even if you can tell they're computerized, you'll stop caring very early. 

Needless to say, The Sheep Detectives is an excellent murder mystery. Its delightful ensemble of animal sleuths and their ewe-nique perspectives are sure to entertain everyone in your herd. Hopefully, it can follow Babe to a Best Picture nomination at the Oscars and bring a few more names - like writer Craig Mazin and composer Christophe Beck - along for the ride. It's anything but baad. Just flock on over to your local cineplex for a splendid matinee.

 I've said enough.

Wow, you've nailed just about the same points I would have!

Mortal Kombat II

 Who’s ready for more Kombat?!

It’s been five years since Mortal Kombat was given a new cinematic life. It could have been a shorter wait if Warner Bros. hadn't benched Mortal Kombat II from last October to now. Let’s see if the wait was worth it.

After Shang Tsung (Chin Han) spent a whole movie trying to win it by default, the Mortal Kombat tournament officially begins. Thunder God Raiden (Tadanobu Asano) recruits one more Kombatant - former action star Johnny Cage (Karl Urban) - for his roster just before game time. Unsurprisingly, without much prep time, Johnny loses his big match with Outworld’s Princess Kitana (Adeline Rudolph).

Meanwhile, Outworld’s Overlord Shao Kahn (Martyn Ford) plans his own cheating with the help of a magical amulet, which makes him immortal. Naturally, Johnny and the other Mortals have to separate the MacGuffin from this big bad. They get surprisingly good help from Kitana, a double-agent for Raiden, and Kano (Josh Lawson), the newly resurrected lout that had the amulet on him (for reasons). They’ll have to hurry before Kahn can annex Earth.

Kano, who was one of the best parts of the last film, is unsurprisingly one of the best parts of this one. He not only has some of its funniest lines, but he gets its most weirdly fascinating character arc. While he's still an unrepentant lout, he joins the heroes to save his vices from Outworld's nothingness. Yes, it's a selfish motivation, but it's a logical step for this character. As the Kingpin said in the 90's Spider-Man show, "there's no profit to be had in the destruction of the planet." Him complimenting a peach in Hanzo/Scorpion's (Hiroyuki Sanada) afterlife garden further shows a nice side to him.

This time, Johnny joins Kano in all the fun. They’re both funny together, while Johnny’s character arc is decently compelling. He’s a reluctant hero who knows that he’s unprepared for Kombat. But he still wins against the monstrous Baraka (CJ Bloomfield) with such tenacity that he also wins his opponent’s loyalty. While theoretically sidelined for most of the film, he still saves the day spectacularly along with Kano and Scorpion.

Kitana, meanwhile, gets the most substantial character arc here. In the film's most devastating fight, her father Jerrod (Desmond Chiam) was slain by Khan in the final round of a previous tournament. That prologue efficiently sets up the stakes - emotional and narrative - for the subsequent Kombat. So, it's only natural that she gets the final battle with Khan - you'll just have to see how she challenges him. She has excellent chemistry with her best friend and bodyguard, Jade (Tati Gabrielle), but shockingly nonexistent chemistry with her undead mother, Sindel (Ana Thu Nguyen). Sindel mowed down some of Khan's goons in the prologue, but she doesn't get much relevance after that. Why?!

I only saw the first film on HBOMax, which wasn't an option this time. This time, I was right there with an audience that oohed and aahed at all of this film's Fatalities. All the head-smashing, body-splitting and even immolating were clearly digital, but they were still pretty effective imagery. Some of the Kombatants were more compelling than others, but their fights won't disappoint you if that's all you want. Meanwhile, we briefly see a bit of one of Johnny's films, which is deliberately and delightfully awful. Deliberately exquisite, meanwhile, are the cinematography by Stephen F. Windom, score by Benjamin Wallfisch and production design (digital and practical) by Yohei Taneda. 

A more fine-tuned script could have made Mortal Kombat II a flawless victory. Nevertheless, it’s still a well-played game that’s not only a better sequel to a mostly stiff film, but a better Mortal Kombat sequel than Annihilation. To answer my earlier inquiry, it was worth the wait, though I hope they don't make a habit out of it. I'm interested to see what they do for MK3. I think I said enough.

That Time I Got Reincarnated as a Slime the Movie: Tears of the Azure Sea

 Do you remember the time That Time I Got Reincarnated as a Slime got a movie? I do.

It's time for the slime, Rimuru Tempest, to be reincarnated again on the big screen. This one's subtitled Tears of the Azure Sea, and it's just in time for summer. You'll understand the significance in a second.

This time, Rimuru and his retinue fly by dragon to their ally, Elmesia's, island resort. They have nothing to worry about under the sun, except for the occasional nuclear magic strikes on the neighboring undersea kingdom of Kaien. Yes, nuclear magic. But nobody on the island's actually worried about them.

Perhaps the islanders should be worried about Kaien's Great Water Dragon, which can be summoned with a magic flute. Yura, priestess of Kaien, made off with the flute in the cold open. She took it to prevent Kaien's evil ministers, Djeese and Zodon, from using the dragon for evil. Rimuru gets involved when his goblin retainer, Gobta, saves Yura from her pursuers. As sparks fly between Gobta and Yura, the merry monsters set out to stop the conspiracy. Yeah, that's pretty much it.

For those interested, this film takes place between the anime's third and fourth seasons (the latter just premiered last month). You won't be lost too much in its standalone plot, but thanks to Rimuru's opening narration, you'll understand why the franchise got its name (unlike last time). You still need a character guide to keep up with everyone in Rimuru's massive retinue, but you'll do fine as long as you focus on a select few (Rimuru himself, Gobta, the ogres Shion & Shuna, Elyun the elf, Ranga the wolf, and their guest Yuna). There's a bunch of shenanigans amongst the cast - like comical jealousy - before they get involved with the plot. The ministers are stockish, but there's a nice narrative jolt when Zodon double-crosses Djeese. I was practically stunned that there was such a thing as nuclear magic, though I could barely understand who and why kept attacking.

Gobta, who was barely a character in Scarlet Bond, basks in the narrative sun. While the series mostly treats him as a laid-back loser, this film gives the little dude a surprisingly endearing romance with Yura. They have great chemistry, whether it's with them outrunning her pursuers or just sharing a float. And for a laid-back loser, Gobta proves himself a tough little dude in battle.  In fact, they outrun Yura's pursuers so long I almost thought Rimuru and the others would be completely sidelined here. Why shouldn't they be together? It's obviously because it's a filler movie, which the ending painfully (not tragically) reminds us of. 

It's a beach movie, so naturally, the scenery and colors are pleasant. Both the surface and underwater worlds look nice, with a limestone cave being a particular highlight for the former. Most of Rimuru's retinue only stand out during the final battle, and they've got some nifty powers to show off.  The Great Water Dragon is ferocious, even if its personality is generic. Hitoshi Fujima's score is fine, but the most unforgettable sounds come from the nuclear magic strikes. Anyone who knows what to expect from the source anime will also get it good here.

While Scarlet Bond traveled some rough narrative waters, Tears of the Azure Sea is a trip through the shallow end, both in narrative and in stakes. Still, thanks to its quirky cast, it's fun while it lasts. If anything soured me on this movie, it's that the theatre forgot to play any trailers before the movie AGAIN. It's not the movie's fault, though. All in all, this slime time is a good summer matinee time. It'll be a while before it streams on Crunchyroll, so see it soon if you want to. I've said enough.

The Devil Wears Prada 2

All right everyone, gird your loins! 

Jethro's coming in hot with a review of The Devil Wears Prada 2. This sequel's been a longtime coming, so ...

Hi, Daisy Mae. You don't need to oversell it. I won't.

Okay...

The Devil Wears Prada 2

Oh yes, Miranda Priestly. You may know her from Laura Weisberger's novel, The Devil Wears Prada. You may know her better from David Frankel's film of the novel, where Meryl Streep added another Oscar nomination as her. Will she add another one for this sequel? I don't know, but it's still worth a watch.

In the first film, Miranda's beleaguered assistant Andy Sachs (Anne Hathaway) walked out on her in Paris. In this one, Andy is a celebrated journalist until she and her co-workers are laid off by text during an awards show. Meanwhile, Miranda's magazine Runway, already a shell of its former self, is hit with bad press after it's revealed they endorsed an unethical fashion brand. Irv Ravitz (Tibor Feldman), the magazine's publisher, hires Andy as the new features editor to help spin some good press. Andy tries to be cordial, but Miranda refuses.

Andy also reunites with Miranda's number-two, Nigel Kipling (Stanley Tucci), and her former rival, Emily Charlton (Emily Blunt), who now works at Dior. Things soon look up for Runway after Andy books an interview with wealthy influencer Sasha Barnes (Lucy Liu). But when Irv keels over at his own birthday party, his son Jay (BJ Novak) takes over with dreams of downsizing. Andy decides to go behind Miranda's back to save their magazine. But will she accidentally make things worse?

Did you know that Weisberger wrote two sequels to the original novel? Revenge Wears Prada: The Devil Returns and When Life Gives You Lululemons. Well, returning writer Aline Brosh McKenna isn't adapting either of them. Just thought I'd let you know.

I haven't seen the first movie since its first release, but I still remember bits of it (like the Harry Potter subplot). Those who've watched it more frequently, meanwhile, will certainly get a kick out of its two leads. It's pretty amusing, for example, to watch Miranda try to tone down her mean boss attitude. She's certainly mean and fun with Andy, but she also has several valid points. Andy's scheming, meanwhile, is rather understandable once you consider that she's out to save her only viable job. After everything in the first movie, it's pretty nice to see them come to a mutual understanding at the end.

Further down the cast, we have Emily, who's still a fun frenemy for Andy. Like with Miranda, they eventually come to a mutual understanding, maybe too quickly. Nigel may be noticeably older, but he's still that same witty mentor whose command opened my review. His ultimate secret makes reasonable sense. As for the new cast, Patrick Brammall is fine as Andy's new boyfriend Peter, while Kenneth Branagh makes the most of his screentime as Miranda's husband, Stuart (I thought he was her husband in the first film; guess I didn't remember that well). Once Sasha enters the plot, I spent the whole film waiting for her to come back, which she only does at the end. I thought the plot would've hinged on her big wedding, but nope. Her ex-husband, Benji (Justin Theroux), plays more of an active role since he bids for Runway. I'll leave it to you to guess how he's outwitted.

Frankel also brings back the likes of Florian Ballhaus (cinematographer), Theodore Shapiro (composer), Ellen Lewis (casting director, this time with Shayna Markowitz), and Jess Gonchor (production designer). Even costume designer Molly Rogers, who takes over from the first film's Oscar-nominated Patricia Field, was her associate in the first film. The most significant newcomer is editor Andrew Marcus, taking over for the late Mark Livolsi. What they've created is a world as familiar as its characters. Anyone expecting elaborate - also nomination worthy - outfits, stylish offices for Runway, and glamorous location filming (this time, Milan), will get it good. As for me, I barely remember Irv from the first film, and his sudden death was quite a shock; so, we're good in editing. 

The Devil Wears Prada 2 is mostly concerned with bringing the band back together, both on and off-screen. It's not entirely groundbreaking, except for some of its outfits, but it's still pretty fun. For what it is, it kicks off this year's summer movie season with some style. Just wait for what else I'm planning to review.

That's it.