The poster of 1981’s The Amateur promised that “The first 11 minutes will absolutely shock you. The last 11 minutes will rivet you to your seat.” As for the recent film's weekend rival, Drop, I can promise something better: "You'll hang on for dear life until the end credits." Let's see if I can elaborate.
A few years after her abusive husband Blake's suicide, therapist Violet Gates (Meghann Fahy) is ready to date again. She's met a nice guy, Henry Campbell (Brandon Skelnar), on her favorite app, DigiDrop, and they've booked the nicest restaurant in Chicago, Palate. She leaves her young son, Toby (Jacob Robinson), in the care of her sister, Jen (Violett Beane), and heads off.
Everything seems fine until someone slides into her DMs with some creepy memes. The User, as I'll call them, has a nifty little game for Violet called "Kill Henry or your Family Dies." The User's masked accomplice has invaded Violet's home, and unless she slips Henry some poison, Toby and Jen will get it. Whoever it is, they're in the restaurant, and they're watching Violet through the security system. They won't let her tell anyone about their twisted game. So, how will she get out of this one?
Director Christopher Landon (Happy Death Day) and his writers, Chris Roach & Jillian Jacobs, waste not a second in this movie. It takes little time to get going, and once it does, The User's omniscience puts us on edge along with Violet. Each time she tries to outwit The User, the villain taunts her on her DMs. The User's words loom over her on-screen; they'll know if Violet tries anything covert. What makes it more unnerving is that practically everyone, other than our main couple, is a plausible suspect. The most obvious of them all turns out to be another victim. The actual villain goes all in on their villainy once they're exposed. And then, there's the matter of the masked accomplice. Talk about stakes.
Whatever nitpicks I have about the story aren't that big, but here goes. The film tries to make it a mystery whether Violet actually killed Blake or not. The film opens up with her being attacked, which is picked up by additional flashbacks. It's quite easy to guess the truth by the second flashback, which is partially why I revealed it a few paragraphs ago. The User's masterplan hinges on exploiting her "murderous past," even if the cited evidence is beyond circumstantial. That's pretty much it.
These nitpicks are easy to ignore because Fahy's performance is that compelling. It doesn't take long to sympathize with her troubled past, her first date jitters, or even her being spammed when "the game" begins. Her desperation is palpable each time she has to awkwardly stall for time. You'll be right with her whenever she zeroes in - or even thinks she has - on her tormentor. Her final battle with The User and their masked accomplice makes for one spectacularly over-the-top climax. Her endearing chemistry with her co-stars, especially during the last scene, provides some levity here. There's some further levity provided by Matt (Jeffery Self), our main couple's waiter, who gets a few zingers as the night goes on.
What else do we have here? The production design is quite impressive, especially since there are only about three locations in the entire film. Palate, in particular, is quite an appealing restaurant, and I'm not talking about the menu. The cinematography by Marc Spicer helps accentuate its architectural marvels. He and the visual effects crew try their best to disguise Dublin, of all places, as Chicago. I didn't catch on, but a few tell-tale signs might give it away. Still, the nighttime city photography is nice to look at. The suspense is made better by editor Ben Baudhuin & composer Bear McCreary's delightfully thrilling work.
Drop in for 95-minutes you'll never forget. Its efficient storytelling will have you on edge until the credits finally roll. Of course, the final scene promises that Violet's troubles aren't over ... for two seconds. But after this movie, I'm interested to see whatever project Landon has in mind. Hopefully, whatever it is will Drop in at due time. Onwards to the next review.
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