About Me
- Jethrotcat
- This is the blog where I talk about the latest movies I've seen. These are my two Schnauzers, Rufus (left) and Marley (right, RIP). As of now, the Double Hollywood Strikes are officially over. May the next strikes not last as long as these ones did.
Tuesday, January 7, 2025
Blitz
Monday, January 6, 2025
Maria
For the third of his “accidental trilogy” of 20th-century women, Pablo Larrain presents us Maria, his biopic of the opera soprano Maria Callas. Let's open the curtains and see what we learn.
The film begins with her death on September 16, 1977. It then works through Maria’s (Angelina Jolie) last week as she reminisces about her life with Mr. Mandrax (Kodi Smit-Mcphee), a journalist and the personification of her favorite medication. Yes, really.
By this point, a lifetime of substance abuse and a diagnosis of dermatomyotosis (which isn’t named in the film) have sidelined Maria. Mandrax follows Maria as she trains with conductor Jeffrey Tate (Stephen Ashfield) for a stage comeback. Mandrax doesn’t like her odds, though; he actually tells her his new documentary is called “La Callas: The Last Days.” Hopefully, she can sing again even if it’s the last thing she does.
Throughout the film, we see glimpses of Maria’s roles in such operas as Madame Butterfly and Anna Bolena. These performances showcase not just the scores of those operas, but the elaborate costumes and sets designed by Massimo Cantini Parrini and Guy Hendrix Dyas. The cinematographer, Edward Lachman, sells us on the magnificence of these performances, though I wasn’t keen on him shooting from the back row a few times. One such case is her first scene at Tate’s stage; I had a hard time figuring out where she was when she came in. I’ll highlight the sound portion later on.
Her most significant flashbacks involve her affair with Aristotle Onassis (Haluk Bilginer). Bilginer portrays Onassis as a charming scoundrel with emphasis on scoundrel. We get some nice scenes of them together, including a well-acted bit where she sees him on his death bed. In the present, her butler Ferrucio (Pierfrancesco Favino) and housekeeper Bruna (Alba Rohrwacher) enliven the film with their devotion not just to her, but to each other. Maria herself even points that out.
And now, “La Callas” herself. As played by Jolie, Maria doesn't need much to show off her strong personality. Early on, she politely, and sternly, declines Mandrax's inquiry on why she burned her costumes one time. He backs down, but she alludes to an answer anyway. She frequently denies her friends and doctor's (Vincent Macaigne) advice, but deep down, she might already know she needs help. She hallucinates, among other things, a crowd singing the Anvil Chorus from IL Trovatore at her. What is surely her dying dream has her breaking down while finally giving her comeback performance at her apartment. It takes quite a while for Jolie's performance to resonate, but I think it will. The only thing stopping her from an Oscar nomination is her huge competition.
The film has Jolie lip-synching to Callas's recordings, with occasionally herself singing, though it's sometimes hard to tell which is which. The recordings sound great, but there are some obvious discrepancies between sound and visuals that pop up. At one point, Maria and Onassis attend Marilyn Monroe's famous birthday serenade of JFK (once again, Caspar Phillipson), which also has her actress lip-synch to a recording. We hear the crowd cheer before we see them do it. Oops. Again, the shoot from the back row strategy doesn't do some of these performances any favors.
I saw the movie on January 2nd, and it took me until now to type up this review. On my first watch, Maria was so dour that the only thing that moved me was the sound of her poodles whimpering over her corpse. But underneath the dour ending, there's a compelling arc of Maria regaining her former self before it's too late. I wonder if I'm the only one who realizes it. If you just want a great opera highlight reel, you won't be disappointed when you Netflix and chill with this biopic. It doesn't need fancy sound systems to sound great, that's for sure.
Next up, a review produced under interesting circumstances.